Off camera flash

I've been working with off camera flash for a little while now, first by use of a TTL cable and then with the aid of a Nikon SU-800 flash commander to give full TTL (through the lens) flash control - including the ability to run in high-speed sync up to my camera's max shutter speed of 1/8000th sec.

I've been pretty happy with how the SU-800 has performed and only recently started looking at ways to overcome it's main limitations; the need for line of sight operation and, being IR (infra red) in it's triggering, it not liking bright lighting conditions.

Now I know that PocketWizard are the most popular brand out there, and also pretty pricey, I decided (also my wallet helped the decision) to test the waters with something a little cheaper. I found a good price on a "1 light" set of Phottix Ares triggers and have to be honest that I have mixed feelings on the performance and reliability I encountered.

My initial testing revealed a fairly significant "failure rate" of approx 5% where I either had no flash triggering or what appeared to be a sync issue with a dark band over the image. This was using a Nikon D2x and a Nikon SB-900 at max sync speed of 1/250th sec. I even dropped the speed to 1/200th sec with no real difference in performance.

Is this kind of failure common to radio triggers or is something inherent to the Phottix - or to my aging Nikon D2x, or the SB-900?

I'm now contemplating my next move. Keep the Phottix triggers, and live with the photo failures; return it as faulty (will a replacement be any better); or save up and buy a set of PocketWizard triggers? Which, if all radio based triggers have a failure rate, will I be better off spending out for PocketWizard's?

New year, new opportunities

With the turn of another year I wanted to take the opportunity to wish everyone a happy and prosperous new year.

I will be undertaking more portrait work (free and paid) and generally making efforts to expand my posts on here in the year to come. In general though I just want to spend a lot more time behind my camera taking and making photographs.

More portrait work (self portraits)

Regular readers will remember my last post mentioned that I was going to be testing out zoom settings on my SB-900 flash to better illuminate my beauty dish. I can report back that my tests were very successful and that setting it to a zoom setting of 200mm does the trick and gives great light - and fills the dish nicely. And as I do not currently have a model to use for these shots, I have been using myself as both the photographer and the model.

Being a bit of an introvert is not the best thing for a portrait photographer as people are my subject matter and it certainly makes it "interesting" in approaching potential models; and also something I need to really deal with/overcome in the year(s) to come. I also plan on creating a studio space for myself in the coming year so I have a "home base" for shoots. Not every (potential) client has a location to use or wants to shoot outdoors, so a studio space would be very preferable.

I'm still working on defining my personal style; but I'm not sweating it as I know this will come with time. Weather it will be a lighting style, a colour style, high key, low key...maybe I never will have a distinctive style that identifies my work. Not all photographers have an instantly recognizable style.

The latest self portrait shoot eventually ended up with me converting to Black & White, by trying out some of the presets I have in Lightroom. I ended up using one from a collection from Lindsay Adler I purchased as part of a bigger package deal a few months ago. I might have to try it out on some more portraits as I like the look it produces.

Still find self portraits a bit of a challenge to get the focus and framing good. Although I did bend the rules a little on this one as I used my 12-24mm zoom lens @24mm, to give an effective full-frame equivalent of 36mm. This is about as wide as is advised for a portrait at this close a range as distortion can occur; although keeping away from the edges of the frame will reduce this problem.

Quick update

I wanted to get in a quick, little update before the end of the day and the start of another week. Not that I've had much time with my camera, I have at least been keeping busy with photography related things - namely research and practicing.

The research part has been in the form of some new books (Joe McNally and Erik Valind) and a new video (Lindsey Adler); while the practice part has been in fine tuning the use of my new beauty dish.

The big thing I wanted to test out was the best zoom setting for my SB-900 flash to properly illuminate the dish. I had been leaving my zoom setting at the 24mm I was using for my softbox (to fill the box). Although I found an interesting bit of info on how Joe McNally uses SB-900's and SB-910's with the same softbox; he uses the diffuser dome which sets the zoom to 14mm. May have to try that out the next time I break out the softbox.

Okay, back to the beauty dish. I had noticed when I tried some self-portraits that the reflection in the catchlights seemed a little "off" and also that I wasn't seeing the crispness I was expecting in the light quality. I think having the head zoomed out to 24mm was not directing the light into the reflector plate enough and that instead it was spreading beyond the plate, softening the light. So today I decided to test my theory and took some test shots with the flash head zoomed to 200mm. Now, there's the crispness I was looking for! The light quality is so much improved now and much more how I was expecting it to be.

All I need to do now is find a willing/suitable model and take some real-world portraits or head shots.

Painting with light (and shadow)

I've often heard photography referred to as painting with light but in reality, it's the shadows that really make or break the image, especially in portraits. Effective use of light and shadows can really "sculpt" the models features and make them stand out. Of course, taken too far and you can overdo it - with either the light or the shadows; the trick is in finding the balance between the two.

What got me thinking of this again was my experimenting on a design idea for a portrait head-piece for an Autumn/Winter theme. That and a chance to try out my new beauty-dish. As I didn't have a "live" model available, I made use of Tyra; my styrofoam stand in.

I think the head-piece needs a little more work but the general idea is one I'm going to continue working on as it has a lot of potential.

For the technically minded here are the details on the photo:

Nikon D2x, 35mm f/1.8 @ 1/250sec and f/2.8, SB-900 in a Phottix beauty-dish @1/32 power

Minor update

As there was no usual mid-week post last week, I wanted to do a quick update to let everyone know that I'm still here.

My recent photo "assignment" was to take photos at a halloween costume competition, but as I did not have any model release forms signed I can't really share any of them here. They were used for university instead for competition judging and for posting the winning participants. I'm not too concerned by all this as if nothing else, it was a good exercise in shooting on the fly (so to speak) as most of my plans had to change on the day and no two photos were the same. Also, I had a very short space of time to setup and shoot each photo, weather it was a single person or a group of 12+.

On a different note, I found a great product that I am eagerly awaiting its arrival; the Phottix Luna folding beauty dish. Finally I will be able to use a beauty dish on my SB-900 hotshoe flash. This, alongside my pair of shoot-through umbrellas and Lastolite Ezybox, will give me all three main lighting tools for portrait work and will allow me to vary from wide, soft diffused light to more directional and contrasty light.

Eye of the beholder

I'm pretty certain that I am not alone, as a person and as a photographer, in my opinion that everything has its own natural beauty. Take spiders for example; while reviled by many, I find their unique forms and features to be fascinating and beautiful.

I found this particular specimen making its web at the side of my house, while I was walking one of my dogs. As the web was only a few feet off the ground, I had to stop Jax from having a snack while I checked out the spider.

Next it was a case of grab my camera, macro lens, flash and Flashbender modifier. This time I switched to TTL balanced flash and Aperture Priority on the camera so I could concentrate more on framing and focusing. Of course, breaking out a light stand and getting the flash off camera would have also been an option but I went to for on camera flash bouncing light off the Flashbender to create indirect illumination.

I did a quick search on Google but so far I have not identified the particular species of spider. Still, I find it to be pretty striking and after taking about 30 images, I left it alone to go back to creating it's web.